Packaging Photography Problems and How to Fix Them

Glossy film, foil bags, shrink wrap, and printed labels all fight the camera, and each one fails in its own way. The fix is almost always the same idea: control what the surface reflects, not the light that hits it.

Quick reference

Problem

What you see

The fix

Glare on glossy packs

A white hot spot that hides the label

Large, soft light sources placed so the reflection falls off the label, plus polarizing filters on the lights and lens

Foil or metallic bags

Dark, muddy or uneven color; wrinkles show

Soft light that wraps the pack, shaped with white cards to fill the foil, and careful pack prep

Shrink wrap and clear film

Wrinkles, distortion, shiny streaks

Tighten or reset the wrap, use even soft light, and retouch only the film, never the label

Wrinkled or dented packs

Waves in the label, uneven edges

Fresh samples, careful filling or support from behind, and gentle steaming where appropriate

Labels that look dull

Color that does not match the real package

Color-managed workflow and a match to the brand's printed color

Curved labels (cans, jars, bottles)

Text that curves away at the edges

Straight-on front, lit evenly, with extra views if the label wraps

Clear windows

Product inside is hard to see or reflects the room

Black or white cards to control reflections, and light from the side

Barcodes and small text

Unreadable at web size

High-resolution capture and a sharp, flat shot of the panel

Glossy packs: shape the reflection

A glossy pack acts like a mirror. A bright, hard light creates a hot spot, so instead we use large, soft light sources and move them or the pack until the reflection slides off the label. A polarizing filter takes out much of what is left, and it keeps colors rich.

Foil and metallic: fill the surface

Foil reflects whatever is around it. If a dark studio wall is mirrored in the bag, the color turns muddy. We surround the pack with large white or lightly colored cards so the foil reflects an even glow, and then fine-tune with black cards to keep the edges defined.

Shrink wrap and clear film: start with a good sample

Wrinkles in wrap or film are best fixed at the sample stage. Sending fresh, tight samples saves hours. Whatever is left, we retouch carefully, and we never alter the label, claims or legally required text.

Labels need to be true to the real pack

Buyers, retailers and Amazon expect the image to match what arrives on the shelf. We check colors against your printed pack, keep all text readable and never change claims, ingredients or nutrition panels.

Plan ahead

  1. Ship extra samples of every pack.

  2. Tell us which packs are foil, metallic, clear or glossy so we can plan the lighting.

  3. Send your brand color references.

  4. Let us know about any claims or text that must stay perfectly readable.

[PHOTO: a foil or glossy pack shot cleanly, with the label fully readable]

Have a tricky pack?

Tell us what your package is made of, and we will plan the lighting for it before the shoot.

[LINK: your CPG photography page, contact button]

Judy Doherty

I am a food, beverage, and CPG product photographer specializing in photos, stop motion, and video, with over 250,000 visuals delivered worldwide. Based in Southern California and formerly in the San Francisco Bay Area, I work in my studio, throughout California, and on location nationwide. Clients hire me for my eye, creative direction, and passion for taking their idea to the next level.


My strength lies in a nimble and lean creative process. Clients love getting creative content at a reasonable cost since my studio can art direct, style, and shoot their images quickly and on budget. My studio features an extensive surface library and prop house with a fully equipped kitchen and two shooting studios.

I bring over 20 years of professional culinary experience and more than a decade in commercial photography. My work as a chef, stylist, and photographer has earned many awards, including APA Top 100, ACF Gold Medal, and a juried fine art photo exhibit at Art Basel Miami. I was Executive Pastry Chef for two Hyatt Hotels and Resorts before completing two post-baccalaureate certificates for Visual Art and Graphic Design at U.C. Berkeley Extension in San Francisco.

https://judydohertyphotography.com
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Lifestyle CPG Photography: Show the Product in Real Life

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